<TD></TD></TABLE>
lionsanditan
ple
ightquietlyspendhisdayssittinginalittle
erhalittlebook
goodbrotherthosrepresentedthepurestidealsofthe
ddleagessurroundedonallsidesbytheforcesofthe
viing
theingofdetis,theddleagesgathered
strengthforalastsallynasteriesednks
gaveupthehabitsofrichesandvicesile,straightforward
andhonestn,bytheexaleoftheirblaless
anddevoutlives,triedtobringthepeoplebacktothewaysof
righteousnessandhuleresignationtothe
alltonoavailthehesegoodpeople
thedaysofquietditationeraof
``expressionhadbegun
hereandnoesaythatiaorrythatistuse
sony``bighatiuldethishistoryin
itcannotbedoneyoucannot
etryhoutreferencetoahypotenuse
andtrianglesandarectangularparallelopipedyou
silyhavetoleaeanordohout
theticsinhistoryandinalllifeyouually
beobligedtoleatheaningofnystrangewordsof
latinandgreekorigindoitnow
hattherenaissancewasaneraofexpression,
ianthis:peopleentedtobethe
audienceandsitstillperorandthepopetold
theodoandtothinktheyedtobeactors
uponthestageoflifetheyinsistedupongiving``expression
totheiroanhappenedtobeinterested
instatesnshipliketheflorentinehistorian,niclo
cchiavelli,thenhe``expressedhielfinhisbooksh
revealedhisoateandanefficient
rulerifontheotherhandhehadalikingforpainting,he
``expressedhisloveforbeautifullinesandlovelyloursin
thepicturesadethenasofgiotto,fraangeli,
rafaelandathousandothershouseholdwordswherever
peoplehaveleaedtocareforthosethingshexpress
atrueandlastingbeauty
ifthisloveforlourandlinehappenedtobebinedh
aninterestinchanicsandhydraulics,theresultwasaleonardo
davinci,entedh
hisballoonsandflyingchines,drainedthershesofthe
loardianplainsand``expressedhisjoyandinterestinall
thingsbethinprose,inpainting,in
sculptureandincuriouslynceivedenginesanof
giganticstrength,likechaelangelo,foundthebrushand
thepalettetoosoftforhisstronghands,hetuedtosculpture
andtoarchitecture,andhackedthestterrificcreaturesout
ofheavybloarbleanddreheplansforthechurch
ofstpeter,thestncrete``expressionoftheglories
ofthetriuhantchurchandsoit
allitalyandverysoonallofeuropeh
nandenightaddtheirteto
thesuotalofouracculatedtreasuresofknowledgeand
beautyandingey,intheainz,johann
zuansefleisch,nlyknoenberg,had
justinventedaneethodofpyingbookshehadstudied
theoldbyhindividual
lettersofsoftleaduldbeplacedinsuchahat
theyfordistrue,hesoonlost
allhisneyinalaodohtheoriginal
inventionofthepresshediedinpoverty,butthe``expression
ofhisparticularinventivegeniuslivedafterhi
soonaldusinveniceandetienneinparisandplantinin
antheh
carefullyeditededitionsoftheclassicsprintedinthegothic
lettersofthegutenbergbible,orprintedintheitaliantype
hisbook,orprintedingreekletters,orin
hebrew
thentheetheeageraudienceofthose
ethingtosaythedaywhenleainghadbeen
anopolyofaprivilegedfeetoanendandthe
lastexthisworld,when
elzevierofhaarleegantoprinthischeapandpopular
editionsthenaristotleandplato,virgilandhoraceand
pliny,allthegoodlypanyoftheancientauthorsand
philosophersandsansfaithful
friendinexhad
deallnfreeandequalbeforetheprintedword
thegreatdisveries
butnohatpeoplehadbroken
throughthebondsoftheiarrow
diaevallitations,theyhadto
havererooortheirwanderings
theeuropeanworldhad
groallfortheiraitions
iteofthegreat
voyagesofdisvery
thecrusadeshadbeenalessonintheliberalartoftravelling
butveryfeuredbeyondthewell
knovenicetojaffeinthe
thirteentherchantsofvenice,
hadongoliandesertandafter
oon,theyhadfoundtheir
ighty
eerorofe
ofr,hadtenabookabouttheiradventures,h
veredaperiodofrethantyyearstheastonished
hisdescriptionsofthegoldentowersof
thestrangeislandofzipangu,alianwayof
spellingjapannypeoplehadedtogoeast,that
theyghtfindthisgoldlandandgrothetripwas
toofarandtoodangerousandsotheystayedatho
ofurse,thereakingthe
voyagebyseabuttheseaiddle
agesandfoyverygoodreasonsinthefirstplace,ships
allthevesselsonadehis
faustriparoundtheanyyears,were
notaslargeasadeferryboattheycarriedfroy
tofiftyn,erstoolooallowany
oftheostandupstraightandthesailorso
eatpoorlyokedfoodasthekitchenarrangentswerevery
badandnofireuldbedeheherhe
leastbitroughthediaevalopickleherring
andhoodryfishbutthereannedgoods
andfreshvegetableshebilloffareas
soonastheasthadbeenleftb
... </P></TD>
lionsanditan
ple
ightquietlyspendhisdayssittinginalittle
erhalittlebook
goodbrotherthosrepresentedthepurestidealsofthe
ddleagessurroundedonallsidesbytheforcesofthe
viing
theingofdetis,theddleagesgathered
strengthforalastsallynasteriesednks
gaveupthehabitsofrichesandvicesile,straightforward
andhonestn,bytheexaleoftheirblaless
anddevoutlives,triedtobringthepeoplebacktothewaysof
righteousnessandhuleresignationtothe
alltonoavailthehesegoodpeople
thedaysofquietditationeraof
``expressionhadbegun
hereandnoesaythatiaorrythatistuse
sony``bighatiuldethishistoryin
itcannotbedoneyoucannot
etryhoutreferencetoahypotenuse
andtrianglesandarectangularparallelopipedyou
silyhavetoleaeanordohout
theticsinhistoryandinalllifeyouually
beobligedtoleatheaningofnystrangewordsof
latinandgreekorigindoitnow
hattherenaissancewasaneraofexpression,
ianthis:peopleentedtobethe
audienceandsitstillperorandthepopetold
theodoandtothinktheyedtobeactors
uponthestageoflifetheyinsistedupongiving``expression
totheiroanhappenedtobeinterested
instatesnshipliketheflorentinehistorian,niclo
cchiavelli,thenhe``expressedhielfinhisbooksh
revealedhisoateandanefficient
rulerifontheotherhandhehadalikingforpainting,he
``expressedhisloveforbeautifullinesandlovelyloursin
thepicturesadethenasofgiotto,fraangeli,
rafaelandathousandothershouseholdwordswherever
peoplehaveleaedtocareforthosethingshexpress
atrueandlastingbeauty
ifthisloveforlourandlinehappenedtobebinedh
aninterestinchanicsandhydraulics,theresultwasaleonardo
davinci,entedh
hisballoonsandflyingchines,drainedthershesofthe
loardianplainsand``expressedhisjoyandinterestinall
thingsbethinprose,inpainting,in
sculptureandincuriouslynceivedenginesanof
giganticstrength,likechaelangelo,foundthebrushand
thepalettetoosoftforhisstronghands,hetuedtosculpture
andtoarchitecture,andhackedthestterrificcreaturesout
ofheavybloarbleanddreheplansforthechurch
ofstpeter,thestncrete``expressionoftheglories
ofthetriuhantchurchandsoit
allitalyandverysoonallofeuropeh
nandenightaddtheirteto
thesuotalofouracculatedtreasuresofknowledgeand
beautyandingey,intheainz,johann
zuansefleisch,nlyknoenberg,had
justinventedaneethodofpyingbookshehadstudied
theoldbyhindividual
lettersofsoftleaduldbeplacedinsuchahat
theyfordistrue,hesoonlost
allhisneyinalaodohtheoriginal
inventionofthepresshediedinpoverty,butthe``expression
ofhisparticularinventivegeniuslivedafterhi
soonaldusinveniceandetienneinparisandplantinin
antheh
carefullyeditededitionsoftheclassicsprintedinthegothic
lettersofthegutenbergbible,orprintedintheitaliantype
hisbook,orprintedingreekletters,orin
hebrew
thentheetheeageraudienceofthose
ethingtosaythedaywhenleainghadbeen
anopolyofaprivilegedfeetoanendandthe
lastexthisworld,when
elzevierofhaarleegantoprinthischeapandpopular
editionsthenaristotleandplato,virgilandhoraceand
pliny,allthegoodlypanyoftheancientauthorsand
philosophersandsansfaithful
friendinexhad
deallnfreeandequalbeforetheprintedword
thegreatdisveries
butnohatpeoplehadbroken
throughthebondsoftheiarrow
diaevallitations,theyhadto
havererooortheirwanderings
theeuropeanworldhad
groallfortheiraitions
iteofthegreat
voyagesofdisvery
thecrusadeshadbeenalessonintheliberalartoftravelling
butveryfeuredbeyondthewell
knovenicetojaffeinthe
thirteentherchantsofvenice,
hadongoliandesertandafter
oon,theyhadfoundtheir
ighty
eerorofe
ofr,hadtenabookabouttheiradventures,h
veredaperiodofrethantyyearstheastonished
hisdescriptionsofthegoldentowersof
thestrangeislandofzipangu,alianwayof
spellingjapannypeoplehadedtogoeast,that
theyghtfindthisgoldlandandgrothetripwas
toofarandtoodangerousandsotheystayedatho
ofurse,thereakingthe
voyagebyseabuttheseaiddle
agesandfoyverygoodreasonsinthefirstplace,ships
allthevesselsonadehis
faustriparoundtheanyyears,were
notaslargeasadeferryboattheycarriedfroy
tofiftyn,erstoolooallowany
oftheostandupstraightandthesailorso
eatpoorlyokedfoodasthekitchenarrangentswerevery
badandnofireuldbedeheherhe
leastbitroughthediaevalopickleherring
andhoodryfishbutthereannedgoods
andfreshvegetableshebilloffareas
soonastheasthadbeenleftb
... </P></TD>