<TD></TD></TABLE>
othinartandineverydaylife,seeinderoustothe
extre,andsoofthesterpiecesofepaintinginthedresdengalleryare
definitelyode
chineseartistshedarenotsayso,buttherearentinental
artistsitthesensuousoriginofallartandkenosecretofit
butthechineselibidoisthere,onlydressedinadifferentexpressionensdress
isnotdesignedtorevealthebodyofthehunforuttosilatenaturea
aysee,throughtheuseofhissensuousigination,afelenude
fotherisingseahedraperiesofthegoddessof
risdelledafterthegracefulrhythfthesforherintentionally
droopingshouldershereyessuggesttheaprit,hereyebrooon,the
lightofhereyesthesilentnlake,herteethareliketheseedsof
pogranate,herlikethehespring
baooshootsandherboundfeetagainlikethecrescentonsuchpoetic
expressionsarebynoansabsentinthe,buttheofchineseart,
andthepatteofchineseensdressinparticular,justifythetakingofsuch
expressionsseriouslyforansbody,asbody,thechinesehavenoappreciation
allyintheportrayalofthe
hunforandevenanartistlikeingperiod,fausforhis
paintingsoffelelife,shoalenudeforerychlike
apotatofeansneck
orofaansbackthetsashihpishin,aothehandynastybut
reallybelongingtothengperiod,gaveafairlygoodaale
nudebody,shoassuch,butitisalsttheonly
exceptionthisisoneresultoftheseclusionofen
asatteroffaatterensstuswill
change,andniretheslongastheyareen,anden
aslongasnthinktheeautifulthechangefrohevictorian
boyishfigureoftheearlytiethcenturyand
ontotheeorestrikingthanthedifference
betensdressaslongasen,itis
alenaninteationalpageantofensdressoughttokethis
pointsufficientlyclearonlyadecadeagochineseenparadedthestreetsin
trousersandtodaytheyarefloatinginlonggoen
intheareahaseverypossibilityof
ingintofashiontheonlyeffectsuchchangesgiveisthatitengendersinna
broadnd
oreiortanceisthennectionbetensseclusionandthe
idealofanhoodthatidealistheidealofa”helpfulother,”a
phraseveryodeode
eny,””independence,””selfexpression”andwho
regardothersasdependentuponn,representingthusatypical
nfusionofideas
letusgetthesexualrelationshipsstraightitseethataan,es
ather,neverthinksofherpositionas”dependent”onthepleasureofherhusband
itisonlyotherthatshefeelsherutterdependencethere
eevenintheotherhoodandbearingandrearingchildrenwere
notdespisedbysoselvesatherseetofitinh
herposition,averyhighlyhonouredposition,inthefalytobringachildintothe
andguidehithersintonhoodisenoughanbeinginasanendedsocietywhysheshouldberegardedas
”dependent”onn,eithersoically,becauseshecandothisnoble
an,isanotionthatisdifficulttograsptherearetalented
en,astherearetalentedn,buttheiuerisactuallylessthandecracy
en,selfexpressionhasareiortant
aningthanjustbearingonpeople,beris
legion,lettheneabreadtofeedthefaly,andlettheenbearchildrenas
fortheirselfexpression,ihaveseenselfish,anlittleforthinto
gentle,alllovingandselfsacrificingthers,odelsofperfectionandvirtue
intheirchildrenseyesihavealsoseenbeautifulgirlsarryandwho
shrivelupintheirthirtiesandneverreachthatsendperiodofansbeauty,
gloriousliketheautuforest,reture,rehun,andreradiant,best
seeninahappyonthsafterhefinent
ofalltherightsofen,thegreatestistobeathefuciusspokeoftheideal
soenoren,”andthis,in
anceandrriagein
arrieden,
hroughnofaultoftheirothefoolishbeliefinsucharealbeingas
prinselvesnyoftheregreatas
teachersoractresses,buttheyothersbyfallinginloveand
rryingperhapsanunanyfallintonaturestrap,whose
solenaybereure
phandherdelight,resurprisingthanthe
greatestbookshehaseverorerealhappinessthan
thentofhergreatesttriuhonthestageisadoraduncanenough
tonfessthisifnatureisonen,astothe
talentedones,shegivesthisfortforthejoysoftherhoodareenjoyedbythe
cleverenandthenonessonaturehas
... </P></TD>
othinartandineverydaylife,seeinderoustothe
extre,andsoofthesterpiecesofepaintinginthedresdengalleryare
definitelyode
chineseartistshedarenotsayso,buttherearentinental
artistsitthesensuousoriginofallartandkenosecretofit
butthechineselibidoisthere,onlydressedinadifferentexpressionensdress
isnotdesignedtorevealthebodyofthehunforuttosilatenaturea
aysee,throughtheuseofhissensuousigination,afelenude
fotherisingseahedraperiesofthegoddessof
risdelledafterthegracefulrhythfthesforherintentionally
droopingshouldershereyessuggesttheaprit,hereyebrooon,the
lightofhereyesthesilentnlake,herteethareliketheseedsof
pogranate,herlikethehespring
baooshootsandherboundfeetagainlikethecrescentonsuchpoetic
expressionsarebynoansabsentinthe,buttheofchineseart,
andthepatteofchineseensdressinparticular,justifythetakingofsuch
expressionsseriouslyforansbody,asbody,thechinesehavenoappreciation
allyintheportrayalofthe
hunforandevenanartistlikeingperiod,fausforhis
paintingsoffelelife,shoalenudeforerychlike
apotatofeansneck
orofaansbackthetsashihpishin,aothehandynastybut
reallybelongingtothengperiod,gaveafairlygoodaale
nudebody,shoassuch,butitisalsttheonly
exceptionthisisoneresultoftheseclusionofen
asatteroffaatterensstuswill
change,andniretheslongastheyareen,anden
aslongasnthinktheeautifulthechangefrohevictorian
boyishfigureoftheearlytiethcenturyand
ontotheeorestrikingthanthedifference
betensdressaslongasen,itis
alenaninteationalpageantofensdressoughttokethis
pointsufficientlyclearonlyadecadeagochineseenparadedthestreetsin
trousersandtodaytheyarefloatinginlonggoen
intheareahaseverypossibilityof
ingintofashiontheonlyeffectsuchchangesgiveisthatitengendersinna
broadnd
oreiortanceisthennectionbetensseclusionandthe
idealofanhoodthatidealistheidealofa”helpfulother,”a
phraseveryodeode
eny,””independence,””selfexpression”andwho
regardothersasdependentuponn,representingthusatypical
nfusionofideas
letusgetthesexualrelationshipsstraightitseethataan,es
ather,neverthinksofherpositionas”dependent”onthepleasureofherhusband
itisonlyotherthatshefeelsherutterdependencethere
eevenintheotherhoodandbearingandrearingchildrenwere
notdespisedbysoselvesatherseetofitinh
herposition,averyhighlyhonouredposition,inthefalytobringachildintothe
andguidehithersintonhoodisenoughanbeinginasanendedsocietywhysheshouldberegardedas
”dependent”onn,eithersoically,becauseshecandothisnoble
an,isanotionthatisdifficulttograsptherearetalented
en,astherearetalentedn,buttheiuerisactuallylessthandecracy
en,selfexpressionhasareiortant
aningthanjustbearingonpeople,beris
legion,lettheneabreadtofeedthefaly,andlettheenbearchildrenas
fortheirselfexpression,ihaveseenselfish,anlittleforthinto
gentle,alllovingandselfsacrificingthers,odelsofperfectionandvirtue
intheirchildrenseyesihavealsoseenbeautifulgirlsarryandwho
shrivelupintheirthirtiesandneverreachthatsendperiodofansbeauty,
gloriousliketheautuforest,reture,rehun,andreradiant,best
seeninahappyonthsafterhefinent
ofalltherightsofen,thegreatestistobeathefuciusspokeoftheideal
soenoren,”andthis,in
anceandrriagein
arrieden,
hroughnofaultoftheirothefoolishbeliefinsucharealbeingas
prinselvesnyoftheregreatas
teachersoractresses,buttheyothersbyfallinginloveand
rryingperhapsanunanyfallintonaturestrap,whose
solenaybereure
phandherdelight,resurprisingthanthe
greatestbookshehaseverorerealhappinessthan
thentofhergreatesttriuhonthestageisadoraduncanenough
tonfessthisifnatureisonen,astothe
talentedones,shegivesthisfortforthejoysoftherhoodareenjoyedbythe
cleverenandthenonessonaturehas
... </P></TD>