<TD></TD></TABLE>
inesepoetryportantplaceinchineselife
houtdefinitereasonsforitfirst,thechineseartisticandliterarygenius,h
thinksinetionalnosphere,is
especiallysuitabletotheingofpoetrytheircharacteristicgeniusfotraction,
suggestion,sublitionandncentration,forprosehinthe
classicallits,kestheif,asbertrand
russellsays,”inarttheyaitbeingexquisite,andinlifeasbeingreasonable,”then
itisnaturalfortheoexcelinpoetrychinesepoetryisdaintyitisneverlong,and
neververypoinentlyfittedforproducingperfectgeof
sentintandforpaintingagicalscenery,aliveic
beautyandinfordhspiritualgrace
theenorofchinesethought,too,enuragestheingofpoetryasthe
highestentof
theallroundn,andphasizestheunityofknowledgevery
specializedsciences,likearchaeology,arefehechinesearchaeologistsalways
reinhun,ilyorinthepeartreeintheir
urtyardpoetryisexactlythattypeofcreationansfacultyof
generalsynthesis;inotheransabilitytolookatlifeasawholewhere
theyfailinanalysis,theyaportantreasonpoetryisessentiallythoughtlouredotion,andthechinesethinkalways
otion,andrarelyereaccidentthatthe
aybe
seeninsuchexpressions,”abellyfulofessaysor”ofscholarship”noe
psyotions,andasnoone
thinkspletelyotion,iaeadytobelievethathinkhthebelly
asoreetionalthetypeofthinking,therearethe
intestinesresponsibleforonesthoughtsisadoraduncansaidaboutens
thoughtsoriginatingintheabdonandtravellingupensthoughts
originateintheheadandtraveldorueofthechinesethisrroborates
theoryaboutthefeninityofthechinesendchapteriiiwhereaswesayin
englishthatan”ransackshisbrain”forideasduringaposition,wesayin
chinesethathe”ransackshisdryintestinesforagoodlineofpoetryorprosethe
poetsutungpoonceaskedhisthreencubinesafterdinnerhisbellyntained
thecleverestone,chaoytin,repliedthathehad”abellyfulofunseasonable
thoughts”thechinesecanegoodpoetrybecausetheythinkhtheirintestines
further,thereisarelationbetrypoetryshouldbe
crisp,andthechineselanguageiscrisppoetryshouldion,andthe
chineselanguageisfiillofntractionsorethanean
poetryshouldexpressideasbyncreteigery,andthechineselanguagerevelsin
ageryfinally,thechineselanguage,hitsclearcuttonesanditslackof
finalnsonants,retainsasonoroussingingqualityonal
languages,chineseprosodyisbasedonthebalanceoftonalvalues,asenglishpoetry
isbasedonaccentthefourtonesaredividedintothe”soft”tonescalled
ping,longandtheoreticallyevenbutreallycirculex,andthe”hard”tonescalled
tsek,ofacute,graveandabrupttones,thelasttheoreticallyendinginp,
t,&s,odendarinthechineseearistrainedto
sensetherhythndalteationofsoftandhardtonesthistonalrhythsobserved
eveningoodprose,hefactthatchineseproseis”singable”seepage
219foranyonecanbeeasilysensedinruskinsor
erpatersproseobservethentrastbetween,
n,ngand,kinruskinsings,andthistotal
rhythanbeeasilyanalysed
inclassicaltangpoetrythisalteationisquiteplex,asinthefollowing
”regular55sche”o”standingforthesofttonesand”standingforthehardtones
inreadingthefolloofeelthentrasting
effect,givingthesaysafinal,reorlessabrupttone:
fioooorhy
\2ooorhy
3ooo
{4oooorhy
f5oooo
\6oooorhy
7ooo
8oooorhy
afterthefourthsyllableineachlihereisahiatuseachtauplet
bytheelves,andtheddletustberealuplets,ie,allthewordsin
eachlinestbebalancedagainstrrespondingheotherline,bothintone
andaningtheeasiestagiwo
interlocutorsspeakingtooneanother,eachspeakingalinetakethefirstfourandthe
lastthreesyllablesofeachlineasttwo
englishheresultisapatteasoutlinedbelow
aah,yes
bbut,no
abut,yes
bah,no
aah,yes
bbut,no
abut,yes
bah,no
noticethatthesendinterlocutoralriestounterthefirst,hefirst
alakesupthethreadofthesendinitsfirstunitthe”ahs”and”buts”but
variesthesendunittheexarksrelyservetoindicate
thattherearetkindsof”yeses”and”noes”noticethaththeexception
ofthesendunitofthefirstupletalltheunitsareproperlybalancedintone
butoreinterestedintheinnertechniqueandspiritofchinesepoetrythanin
itsprosodybyagicrealfbeautyhowdid
itthroandatsphereoveranordinarylandscapeand,hafew
otionhowd
... </P></TD>
inesepoetryportantplaceinchineselife
houtdefinitereasonsforitfirst,thechineseartisticandliterarygenius,h
thinksinetionalnosphere,is
especiallysuitabletotheingofpoetrytheircharacteristicgeniusfotraction,
suggestion,sublitionandncentration,forprosehinthe
classicallits,kestheif,asbertrand
russellsays,”inarttheyaitbeingexquisite,andinlifeasbeingreasonable,”then
itisnaturalfortheoexcelinpoetrychinesepoetryisdaintyitisneverlong,and
neververypoinentlyfittedforproducingperfectgeof
sentintandforpaintingagicalscenery,aliveic
beautyandinfordhspiritualgrace
theenorofchinesethought,too,enuragestheingofpoetryasthe
highestentof
theallroundn,andphasizestheunityofknowledgevery
specializedsciences,likearchaeology,arefehechinesearchaeologistsalways
reinhun,ilyorinthepeartreeintheir
urtyardpoetryisexactlythattypeofcreationansfacultyof
generalsynthesis;inotheransabilitytolookatlifeasawholewhere
theyfailinanalysis,theyaportantreasonpoetryisessentiallythoughtlouredotion,andthechinesethinkalways
otion,andrarelyereaccidentthatthe
aybe
seeninsuchexpressions,”abellyfulofessaysor”ofscholarship”noe
psyotions,andasnoone
thinkspletelyotion,iaeadytobelievethathinkhthebelly
asoreetionalthetypeofthinking,therearethe
intestinesresponsibleforonesthoughtsisadoraduncansaidaboutens
thoughtsoriginatingintheabdonandtravellingupensthoughts
originateintheheadandtraveldorueofthechinesethisrroborates
theoryaboutthefeninityofthechinesendchapteriiiwhereaswesayin
englishthatan”ransackshisbrain”forideasduringaposition,wesayin
chinesethathe”ransackshisdryintestinesforagoodlineofpoetryorprosethe
poetsutungpoonceaskedhisthreencubinesafterdinnerhisbellyntained
thecleverestone,chaoytin,repliedthathehad”abellyfulofunseasonable
thoughts”thechinesecanegoodpoetrybecausetheythinkhtheirintestines
further,thereisarelationbetrypoetryshouldbe
crisp,andthechineselanguageiscrisppoetryshouldion,andthe
chineselanguageisfiillofntractionsorethanean
poetryshouldexpressideasbyncreteigery,andthechineselanguagerevelsin
ageryfinally,thechineselanguage,hitsclearcuttonesanditslackof
finalnsonants,retainsasonoroussingingqualityonal
languages,chineseprosodyisbasedonthebalanceoftonalvalues,asenglishpoetry
isbasedonaccentthefourtonesaredividedintothe”soft”tonescalled
ping,longandtheoreticallyevenbutreallycirculex,andthe”hard”tonescalled
tsek,ofacute,graveandabrupttones,thelasttheoreticallyendinginp,
t,&s,odendarinthechineseearistrainedto
sensetherhythndalteationofsoftandhardtonesthistonalrhythsobserved
eveningoodprose,hefactthatchineseproseis”singable”seepage
219foranyonecanbeeasilysensedinruskinsor
erpatersproseobservethentrastbetween,
n,ngand,kinruskinsings,andthistotal
rhythanbeeasilyanalysed
inclassicaltangpoetrythisalteationisquiteplex,asinthefollowing
”regular55sche”o”standingforthesofttonesand”standingforthehardtones
inreadingthefolloofeelthentrasting
effect,givingthesaysafinal,reorlessabrupttone:
fioooorhy
\2ooorhy
3ooo
{4oooorhy
f5oooo
\6oooorhy
7ooo
8oooorhy
afterthefourthsyllableineachlihereisahiatuseachtauplet
bytheelves,andtheddletustberealuplets,ie,allthewordsin
eachlinestbebalancedagainstrrespondingheotherline,bothintone
andaningtheeasiestagiwo
interlocutorsspeakingtooneanother,eachspeakingalinetakethefirstfourandthe
lastthreesyllablesofeachlineasttwo
englishheresultisapatteasoutlinedbelow
aah,yes
bbut,no
abut,yes
bah,no
aah,yes
bbut,no
abut,yes
bah,no
noticethatthesendinterlocutoralriestounterthefirst,hefirst
alakesupthethreadofthesendinitsfirstunitthe”ahs”and”buts”but
variesthesendunittheexarksrelyservetoindicate
thattherearetkindsof”yeses”and”noes”noticethaththeexception
ofthesendunitofthefirstupletalltheunitsareproperlybalancedintone
butoreinterestedintheinnertechniqueandspiritofchinesepoetrythanin
itsprosodybyagicrealfbeautyhowdid
itthroandatsphereoveranordinarylandscapeand,hafew
otionhowd
... </P></TD>