<TD></TD></TABLE>
thebushinessofthebear,thesliessofthestork,or
theruggednessofthepinebraninnature
eddirectlyorindirectlythe
inspirationforaparticular”style”ifachinesescholarseesacertainbeautyinadry
vinehitscarelessgraceandelasticstrength,thetipoftheendcurlingupwardand
afeostappropriately,hetriesto
inrporatethatintohisingifanotherscholarseesapireethattsitstrunk
andbendsitsbranchesdoeadofuphshowsawonderful
tenacityandforce,healsotriestoinrporatethatintohisstyleofingwehave
thereforethe”dryvine”styleandthe”pinebranonk
andcalligraphisthadpractisedingforyearshoutresult,andonedaywalking
onauntainpathhechancedupontingsnakes,eachstrainingitsneck,
thisinspirationhedevelopeda
stindividualistictypeofing1,calledthe”fightingsnakes”style,suggestingthe
tensionandoventofthesnakesnecksthushih321379,
sof
igeryfroature:
everyhorizontalstrokeislikeassofation,everyhooklikeabentboahighpeak,every
tuingofthestrokelikeabrasshook,everydralinelikeadryvineofgreat
oldage,andeverysandfreestrokelikearunneronhisstart
onecanunderstandchinesecalligraphyonlyo
thefodrhythnherentineveryanilsbodyandliseveryanilbody
hasahayandbeautyofitsoonyitsvital
funoventthehairylegsandtallbodyofthe
draughthorseareasofbeautyasthereneatlyfordoutlineofthe
raonyexistsintheoutlineofthes,springinggreyhound,as
itexistsalsointhatofthehairyirishterrier,bsendalstin
squarefortions梥trikinglyrepresentedinchinesecalligraphybythebluntlishu
stylecurrentinthehandynastyandelevatedintoanartbytengshihjuofthe
ghingdynasty
theiortantthingtoobserveisthattheseplantandanilforarebeautiful
beoventnsiderasprigofplulossohow
carelesslybeautifulandartfullyirregularitistounderstandthebeautyofthatsprig
fully,artistiisndofchinese
artthesprig,evens,isbeautifulbecauseitlives,
becauseitexpressesalivingiulsetogrolineofeverytreeexpressesa
rhythesultingfroulses,theiulsetogro
topulsetointainitsequilibriuandthenecessityof
resistingtheventofthereeisbeautifulbecauseitsuggeststhese
iulses,andpartienttoewhere,a
stretchingtoethingithasnottriedtobebeautifulithasonlyedtolive
yettheresultissothingperfenselysatisfying
nordoesnatureartificiallyinvestthegreyhoundits
functions:thehigharchofthegreyhoundsbodyandthennectinglinebets
bodyanditshindlegsarebuiltforsness,andtheyarebeautifulbecausethey
suggeststhishaiousfunergesahaiousfor
thesoftnessoftheentsresultsinthesoftnessofitsntourandeven
thejoggedsquattingoutlineofabulldoghasabeautyofforcedlitsohe
explanationofnaturesinfiniterichness>fpattes,onious>
alic
thein,adistinguishedscholarhis
usnote
thateveryaderapidlyinantrollingrhihhvti
tv玸c;t玦;:rr~~elyvariablehouteverexhausting
itsforinotheric,andnotastatic,beauty
itisexaoventiicbeauty,abeauty
ofntuitlives,andit,too,isinfinitelyvariablehoutexhaustionas,
surestrokeisappreciatedbecauseitisdeslyandpoonestroke,thus
possessingaunityofvent,defyingitationorrrection,foranyrrectionis
iediatelydetectedasdishaiousincidentally,thatis
issodifficult
thattheassticprincipleisnot
oeat”bones”and
”tendons”ofstrokes,althoughtheirphilosophiciorthasneverbeennsciously
laidbareuntiloneestothinkofeansbyhcalligraphycanbe
deintelligibletotheeietalentedauntofhih,
said:
intheingofthoserengthofstroke,thecharactersare
”bony”;intheingofthoseskilfulingivingstrengthofstrokes,the
charactersare”fleshy”eatis
called”sineing,”andingthatisfoiloffleshandalled
”piggying”aingthatispoingthathas
neitherpoweorsinewsislikeaninvalid
thedynaoventresultsinaprincipleofstructurehis
essentialtoanunderstandingofchinesecalligraphytherebeautyofbalanceand
syetryisneverregardedasthehighestforoneoftheprinciplesofchinese
ingisthatasquareshouldneverbeaperfectsquare,butshouldbehigheronone
sidethantheother,andthatttriilar
... </P></TD>
thebushinessofthebear,thesliessofthestork,or
theruggednessofthepinebraninnature
eddirectlyorindirectlythe
inspirationforaparticular”style”ifachinesescholarseesacertainbeautyinadry
vinehitscarelessgraceandelasticstrength,thetipoftheendcurlingupwardand
afeostappropriately,hetriesto
inrporatethatintohisingifanotherscholarseesapireethattsitstrunk
andbendsitsbranchesdoeadofuphshowsawonderful
tenacityandforce,healsotriestoinrporatethatintohisstyleofingwehave
thereforethe”dryvine”styleandthe”pinebranonk
andcalligraphisthadpractisedingforyearshoutresult,andonedaywalking
onauntainpathhechancedupontingsnakes,eachstrainingitsneck,
thisinspirationhedevelopeda
stindividualistictypeofing1,calledthe”fightingsnakes”style,suggestingthe
tensionandoventofthesnakesnecksthushih321379,
sof
igeryfroature:
everyhorizontalstrokeislikeassofation,everyhooklikeabentboahighpeak,every
tuingofthestrokelikeabrasshook,everydralinelikeadryvineofgreat
oldage,andeverysandfreestrokelikearunneronhisstart
onecanunderstandchinesecalligraphyonlyo
thefodrhythnherentineveryanilsbodyandliseveryanilbody
hasahayandbeautyofitsoonyitsvital
funoventthehairylegsandtallbodyofthe
draughthorseareasofbeautyasthereneatlyfordoutlineofthe
raonyexistsintheoutlineofthes,springinggreyhound,as
itexistsalsointhatofthehairyirishterrier,bsendalstin
squarefortions梥trikinglyrepresentedinchinesecalligraphybythebluntlishu
stylecurrentinthehandynastyandelevatedintoanartbytengshihjuofthe
ghingdynasty
theiortantthingtoobserveisthattheseplantandanilforarebeautiful
beoventnsiderasprigofplulossohow
carelesslybeautifulandartfullyirregularitistounderstandthebeautyofthatsprig
fully,artistiisndofchinese
artthesprig,evens,isbeautifulbecauseitlives,
becauseitexpressesalivingiulsetogrolineofeverytreeexpressesa
rhythesultingfroulses,theiulsetogro
topulsetointainitsequilibriuandthenecessityof
resistingtheventofthereeisbeautifulbecauseitsuggeststhese
iulses,andpartienttoewhere,a
stretchingtoethingithasnottriedtobebeautifulithasonlyedtolive
yettheresultissothingperfenselysatisfying
nordoesnatureartificiallyinvestthegreyhoundits
functions:thehigharchofthegreyhoundsbodyandthennectinglinebets
bodyanditshindlegsarebuiltforsness,andtheyarebeautifulbecausethey
suggeststhishaiousfunergesahaiousfor
thesoftnessoftheentsresultsinthesoftnessofitsntourandeven
thejoggedsquattingoutlineofabulldoghasabeautyofforcedlitsohe
explanationofnaturesinfiniterichness>fpattes,onious>
alic
thein,adistinguishedscholarhis
usnote
thateveryaderapidlyinantrollingrhihhvti
tv玸c;t玦;:rr~~elyvariablehouteverexhausting
itsforinotheric,andnotastatic,beauty
itisexaoventiicbeauty,abeauty
ofntuitlives,andit,too,isinfinitelyvariablehoutexhaustionas,
surestrokeisappreciatedbecauseitisdeslyandpoonestroke,thus
possessingaunityofvent,defyingitationorrrection,foranyrrectionis
iediatelydetectedasdishaiousincidentally,thatis
issodifficult
thattheassticprincipleisnot
oeat”bones”and
”tendons”ofstrokes,althoughtheirphilosophiciorthasneverbeennsciously
laidbareuntiloneestothinkofeansbyhcalligraphycanbe
deintelligibletotheeietalentedauntofhih,
said:
intheingofthoserengthofstroke,thecharactersare
”bony”;intheingofthoseskilfulingivingstrengthofstrokes,the
charactersare”fleshy”eatis
called”sineing,”andingthatisfoiloffleshandalled
”piggying”aingthatispoingthathas
neitherpoweorsinewsislikeaninvalid
thedynaoventresultsinaprincipleofstructurehis
essentialtoanunderstandingofchinesecalligraphytherebeautyofbalanceand
syetryisneverregardedasthehighestforoneoftheprinciplesofchinese
ingisthatasquareshouldneverbeaperfectsquare,butshouldbehigheronone
sidethantheother,andthatttriilar
... </P></TD>