<TD></TD></TABLE>
curveandbecauseitisbalustradedits
spansarenotaslonganditsbalustradesnotasusefulasthesteeltrussesofthe
brooklynbridge,butnoonecandenythatitsuggestslesshuncleveessand
rebeautynsideralsothepagoda,andhothefact
thatitsoutlineisbrokenbyasuccessionofprojectingroofs,especiallythoseendlines
thatcurlupheslantingstrokesofchineseingnsideralsothe
peenatpeipingnothingisre
strikingthanthebolofcloudsplacedhorizontallyacrossthetopon
eaunparalleledinaudacityeveninchineseartthe
pillarstheelveshaveaaybe,ithappensthat
theintothe
surfapleofnfuciusbear,too,thehe
enthehedragonsbodyhelptobreakthe
straightlines,otive,apartfrotssyolicvalue
everyofnatureanditate
itsirregularitythespiritunderlyingitallisstillthespiritofanisncalligraphy
helinesofboopatte
onotonyofthe
straightanyshapesasthesllcakesofe
pastry,itatingabananaleaf,orapeaelonorafanli
liatistandepicure,roducingthebranchinlaid
itionstheoutlineoftheraightalongthis
outline,horoducedabranchshapedcarving,togivetheeffectofaliving
branchstretchedacrosstheopartitions,bedpostsand
othertypesoflatticely,theuseofrockeryisprobablytheclearest
exaleofoureffortstointroduanarchitecturethenaturalirregtdarlines
ofnature
inotherectureanefforttoseekrelief
frotraightlinesthroughsoforfirregularitysuggestiveofanilandplant
forthisleadstoansiderationoftheuseofsyolisthebat,forinstance,is
verychusedasaderativetive,becauseitscurvedapableofso
nyvariationsindesign,butalsobefor”goodluck,”the
syolisthelanguageofthepritiveandthechildnditissothingthatevery
chineseanandchildcanunderstand
butsyolisas,further,thevirtueofntaininghinafeionallines
thethoughtoftheagesandthedreaoftheraaginationand
leadsusintoarealfhought,likethechristiancrossorthesoviet
haerandsiousthatwe
inplicityandthen
reachesthetopandlosesitselfinariotofbracketsandicesandbars,we
liketoseethere,asandarinducksoragrasshopperoran
inkslabandabrushasandarinduckshalwaysgoinpairsin
anslove,andastheinkslab
andthebrush,sstudythere,paintedingreenand
blueandgoldarethegrasshoppersandthecricketsandthendarinducks,anditis
aschhappinessasofinthisearthlylife
sotisetiselife,
forthesearethetesofchinesepainting
thedragonisthesthonouredanilinperor,
ostusedinartasaderativetive,
partlybecausethet,
bininggraeaning,
besideshavingthosebeautifulclaharealwayssouseful
inbreakingnotonythedragonrepresentsotherhe”fugitive”oryi
principleentionedbefore,anditrepresentsgreattaoist,foritoften
hidesitselfangrevealsitshegreat
chinanperfectinandinpoself
heulddesountainpondsasheuldrisetotheclouds
beneaththedarkersofthedeeppondseeanytraceofhisexistence,but
hehina
arealoventsofthedragon,andsotis
snofidstthunderandlightning,tearing
uphouseroofsanduprootingoldbanyantreeshen,shouldhe
dragon,theeodintofpo
but,then,thedragonisnotapurelythologicalorantediluvianentitytothe
anyofthewindingridgesof
untainsountainsgraduallydescendand
rgeintotheplainorthesea,the
basisofancyisundeniablyasuperstition,it
hasagreatspiritualandarchitecturalvalueitssuperstitionnsistsinthebeliefthat
byplabsinabeautifulscenery,overlookingthosedragon
untainsandlionhills,oneans
descendantsifthelocationandthelandscapesceneryaretrulyunique,if,forinstance,
fivedragonsandfivetigersuniteinkinghogetotheto,itisalst
inevitablethatonedesperialdynasty,oratleast
beeapreer
butthebasisofthesuperstitionisapantheistientofiandscapand
gancysharpensoureyestobeautyountains
andge
... </P></TD>
curveandbecauseitisbalustradedits
spansarenotaslonganditsbalustradesnotasusefulasthesteeltrussesofthe
brooklynbridge,butnoonecandenythatitsuggestslesshuncleveessand
rebeautynsideralsothepagoda,andhothefact
thatitsoutlineisbrokenbyasuccessionofprojectingroofs,especiallythoseendlines
thatcurlupheslantingstrokesofchineseingnsideralsothe
peenatpeipingnothingisre
strikingthanthebolofcloudsplacedhorizontallyacrossthetopon
eaunparalleledinaudacityeveninchineseartthe
pillarstheelveshaveaaybe,ithappensthat
theintothe
surfapleofnfuciusbear,too,thehe
enthehedragonsbodyhelptobreakthe
straightlines,otive,apartfrotssyolicvalue
everyofnatureanditate
itsirregularitythespiritunderlyingitallisstillthespiritofanisncalligraphy
helinesofboopatte
onotonyofthe
straightanyshapesasthesllcakesofe
pastry,itatingabananaleaf,orapeaelonorafanli
liatistandepicure,roducingthebranchinlaid
itionstheoutlineoftheraightalongthis
outline,horoducedabranchshapedcarving,togivetheeffectofaliving
branchstretchedacrosstheopartitions,bedpostsand
othertypesoflatticely,theuseofrockeryisprobablytheclearest
exaleofoureffortstointroduanarchitecturethenaturalirregtdarlines
ofnature
inotherectureanefforttoseekrelief
frotraightlinesthroughsoforfirregularitysuggestiveofanilandplant
forthisleadstoansiderationoftheuseofsyolisthebat,forinstance,is
verychusedasaderativetive,becauseitscurvedapableofso
nyvariationsindesign,butalsobefor”goodluck,”the
syolisthelanguageofthepritiveandthechildnditissothingthatevery
chineseanandchildcanunderstand
butsyolisas,further,thevirtueofntaininghinafeionallines
thethoughtoftheagesandthedreaoftheraaginationand
leadsusintoarealfhought,likethechristiancrossorthesoviet
haerandsiousthatwe
inplicityandthen
reachesthetopandlosesitselfinariotofbracketsandicesandbars,we
liketoseethere,asandarinducksoragrasshopperoran
inkslabandabrushasandarinduckshalwaysgoinpairsin
anslove,andastheinkslab
andthebrush,sstudythere,paintedingreenand
blueandgoldarethegrasshoppersandthecricketsandthendarinducks,anditis
aschhappinessasofinthisearthlylife
sotisetiselife,
forthesearethetesofchinesepainting
thedragonisthesthonouredanilinperor,
ostusedinartasaderativetive,
partlybecausethet,
bininggraeaning,
besideshavingthosebeautifulclaharealwayssouseful
inbreakingnotonythedragonrepresentsotherhe”fugitive”oryi
principleentionedbefore,anditrepresentsgreattaoist,foritoften
hidesitselfangrevealsitshegreat
chinanperfectinandinpoself
heulddesountainpondsasheuldrisetotheclouds
beneaththedarkersofthedeeppondseeanytraceofhisexistence,but
hehina
arealoventsofthedragon,andsotis
snofidstthunderandlightning,tearing
uphouseroofsanduprootingoldbanyantreeshen,shouldhe
dragon,theeodintofpo
but,then,thedragonisnotapurelythologicalorantediluvianentitytothe
anyofthewindingridgesof
untainsountainsgraduallydescendand
rgeintotheplainorthesea,the
basisofancyisundeniablyasuperstition,it
hasagreatspiritualandarchitecturalvalueitssuperstitionnsistsinthebeliefthat
byplabsinabeautifulscenery,overlookingthosedragon
untainsandlionhills,oneans
descendantsifthelocationandthelandscapesceneryaretrulyunique,if,forinstance,
fivedragonsandfivetigersuniteinkinghogetotheto,itisalst
inevitablethatonedesperialdynasty,oratleast
beeapreer
butthebasisofthesuperstitionisapantheistientofiandscapand
gancysharpensoureyestobeautyountains
andge
... </P></TD>