<TD></TD></TABLE>
eedrerdscartbee
goodbuddhistsihaveseenafeplesofeuropeanbuddhistnks,alk
altogethertooloudlyandtoovehentlytoncealthetultuouspassionsintheir
soulsinparticular,ihaveseenoneicdenunciationofthe,is
stonefroeaventobuupalleuropewhen
europeansputonbuddhistgoandpassive,theyrelylook
ridiculous
reover,itojudgethechineseasanationhoutan
understandingoftheirarttherearecertainhiddeninnerstrecessesofthechinese
soulthatcanbeknohroughitsreflectioninchineseart,for,likecyranode
beigerac,theextresensitivenessandfinefeelingofthechinesesoularehidden
behindasootionalfa,andbehindhissullen,derousappearance
residesacarefree,vagabondsoulthoseroughyelloouldandfashion
objeony,andfrohealndeyesbehindthehigh
cheekbonesshinesatenderlightthatdsofexquisitebeauty
froheteleofheaventothescholarsletterpaperandotherproductsofartcraft,
chineseartshoonythat
distinguishthebestproduanspirit
andhayefrohe
soulofthechineseartistthechineseartistisanpeacehnature,
theshathetetationsofgold,andwhose
spiritisdeeplyiersedinuntainsandriversandotheifestationsofnature
aboveall,hisbreaststbroodnoillpassions,foragoodartist,ronglybelieve,
stbeagoodnhestfirstofall”chastenhisheart”or”broadenhisspirit,
chie0ybytravelandbyntelationthisistheseveretrainingposeonthe
chinesepainters
toillustratethispointthusingsaid:”ifonesralcharacterisnothigh,
hisartustabsorbinhielfthebestofhun
cultureandnaturesspirittungchichang15551636,oneofthegreatestofchinas
calligraphistsandpainters,oncesaidofanotherpainter:”hohefatherof
paintinghoutreadingtenthousandbooksandtravellingtenthousandfi”the
andstrippingaan
nakedinordertostudyheranato,nordoeshekepiesofplasterfiguresof
anebackschoolsinthestilldothe
ountainslikehuaagshaninanhuiorthe
oiuntainsinszechuen
thisesountainsisiortantforseveralreasonsfirstofall,theartist
stabsorbiressionsfroheriadforofnature,itsinsectsandtreesand
cloudsanderfalls
inordertopaintthehestlovetheandhisspiritstnehe
stknoiliarustknoetree
changesitsshadeandlourbetoingandnightorbetleardayanda
stying,andhestseeountainclouds”entwine
theroportantthanld,objectiveobservations
isthespiritualbaptisnnaturesodidlijihhua15651635describediespiritual
baptisfagreatpainter:
huangtzuboos,trees,
brushountains,andseetohavelosthielfin
hissurroundings,inannerpuzzlingtootherssotishegoestotheplace
ains
there,obliviousofeofthepainter,andthatisissurchargedh
odsandfeelings,everchangingandureitself
sendly,chinesepaintingsarealuntaintopsandspecializein
thoseaegrandaspeountainpeaksorrocks,hosewhohave
seentheuntainsisasearchforgrandeurinnature
achineseartistinaricaofalltakeforhissubjectthegrandcanyonor
theuntainsaroundbanffandhavingetosuchagrandsurrounding,itis
inevitablethatheshouldobtainanelevationofthespiritasal
elevationitisstrangethatspiritualelevationalhphysicalelevationon
thispla,andlifealanaltitudeoffivethousandfeet
peoplefondofhorsebackridingalontonegoesupon
horsebaustbetrue
theretreattotheuntainsans,therefore,alsoasearoralelevation,
ostiortantreasonfortravelthusfroisgodlikeheight
theartistsurveystheexpansionofthespirit,andthisspiritgoes
intohispaintingthen,chastenedinspirit,heesbacktocitylifeandtriesto
nicateittothoseayalter,buthisspiritof
untaincaleins,andorexhaustedthisspirit,he
travelsagainandrebaptizeshielfintheuntainair
itisthisspiritofountainairshanlincki
alingedalittlehthereclusespassionforleisureandsolitude,h
sofchineseartnsequently,itscharacteristicisnot
supreonyhnature
iichinesecalligraphy
allprobleofartareprobleofrhythhence,intryingtounderstand
chineseart,ustbeginandthesourceofartisticinspiration
alloisuniversalandthatthechinesedonotoonopolyof
naturesrhyth,itisstillpossibletotraphasisithasalready
beenpointedout,inthediscussionontheidealofanhood
... </P></TD>
eedrerdscartbee
goodbuddhistsihaveseenafeplesofeuropeanbuddhistnks,alk
altogethertooloudlyandtoovehentlytoncealthetultuouspassionsintheir
soulsinparticular,ihaveseenoneicdenunciationofthe,is
stonefroeaventobuupalleuropewhen
europeansputonbuddhistgoandpassive,theyrelylook
ridiculous
reover,itojudgethechineseasanationhoutan
understandingoftheirarttherearecertainhiddeninnerstrecessesofthechinese
soulthatcanbeknohroughitsreflectioninchineseart,for,likecyranode
beigerac,theextresensitivenessandfinefeelingofthechinesesoularehidden
behindasootionalfa,andbehindhissullen,derousappearance
residesacarefree,vagabondsoulthoseroughyelloouldandfashion
objeony,andfrohealndeyesbehindthehigh
cheekbonesshinesatenderlightthatdsofexquisitebeauty
froheteleofheaventothescholarsletterpaperandotherproductsofartcraft,
chineseartshoonythat
distinguishthebestproduanspirit
andhayefrohe
soulofthechineseartistthechineseartistisanpeacehnature,
theshathetetationsofgold,andwhose
spiritisdeeplyiersedinuntainsandriversandotheifestationsofnature
aboveall,hisbreaststbroodnoillpassions,foragoodartist,ronglybelieve,
stbeagoodnhestfirstofall”chastenhisheart”or”broadenhisspirit,
chie0ybytravelandbyntelationthisistheseveretrainingposeonthe
chinesepainters
toillustratethispointthusingsaid:”ifonesralcharacterisnothigh,
hisartustabsorbinhielfthebestofhun
cultureandnaturesspirittungchichang15551636,oneofthegreatestofchinas
calligraphistsandpainters,oncesaidofanotherpainter:”hohefatherof
paintinghoutreadingtenthousandbooksandtravellingtenthousandfi”the
andstrippingaan
nakedinordertostudyheranato,nordoeshekepiesofplasterfiguresof
anebackschoolsinthestilldothe
ountainslikehuaagshaninanhuiorthe
oiuntainsinszechuen
thisesountainsisiortantforseveralreasonsfirstofall,theartist
stabsorbiressionsfroheriadforofnature,itsinsectsandtreesand
cloudsanderfalls
inordertopaintthehestlovetheandhisspiritstnehe
stknoiliarustknoetree
changesitsshadeandlourbetoingandnightorbetleardayanda
stying,andhestseeountainclouds”entwine
theroportantthanld,objectiveobservations
isthespiritualbaptisnnaturesodidlijihhua15651635describediespiritual
baptisfagreatpainter:
huangtzuboos,trees,
brushountains,andseetohavelosthielfin
hissurroundings,inannerpuzzlingtootherssotishegoestotheplace
ains
there,obliviousofeofthepainter,andthatisissurchargedh
odsandfeelings,everchangingandureitself
sendly,chinesepaintingsarealuntaintopsandspecializein
thoseaegrandaspeountainpeaksorrocks,hosewhohave
seentheuntainsisasearchforgrandeurinnature
achineseartistinaricaofalltakeforhissubjectthegrandcanyonor
theuntainsaroundbanffandhavingetosuchagrandsurrounding,itis
inevitablethatheshouldobtainanelevationofthespiritasal
elevationitisstrangethatspiritualelevationalhphysicalelevationon
thispla,andlifealanaltitudeoffivethousandfeet
peoplefondofhorsebackridingalontonegoesupon
horsebaustbetrue
theretreattotheuntainsans,therefore,alsoasearoralelevation,
ostiortantreasonfortravelthusfroisgodlikeheight
theartistsurveystheexpansionofthespirit,andthisspiritgoes
intohispaintingthen,chastenedinspirit,heesbacktocitylifeandtriesto
nicateittothoseayalter,buthisspiritof
untaincaleins,andorexhaustedthisspirit,he
travelsagainandrebaptizeshielfintheuntainair
itisthisspiritofountainairshanlincki
alingedalittlehthereclusespassionforleisureandsolitude,h
sofchineseartnsequently,itscharacteristicisnot
supreonyhnature
iichinesecalligraphy
allprobleofartareprobleofrhythhence,intryingtounderstand
chineseart,ustbeginandthesourceofartisticinspiration
alloisuniversalandthatthechinesedonotoonopolyof
naturesrhyth,itisstillpossibletotraphasisithasalready
beenpointedout,inthediscussionontheidealofanhood
... </P></TD>